Abstract
Alexis de Tocqueville distinguished between aristocratic and democratic historiography in Democracy in America, but this distinction can also be traced in his posthumously-published travelogue, "Fortnight in the Wilderness." In it, Tocqueville leverages literary device to represent Native Americans as aristocrats whose way of life is irreconcilable with a democratic worldview. The effect is a tragic mood that ought to inform our reading of Tocqueville's broader political project.